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(There Is) No Greater Love - Erroll Garner - ;Soliloquy; - ;At The Piano; (CD)

8 thoughts on “ (There Is) No Greater Love - Erroll Garner - ;Soliloquy; - ;At The Piano; (CD)

  1. Jan 09,  · Erroll Louis Garner (June 15, – January 2, ; some sources say ) was an American jazz pianist and composer known for his swing playing and ballads. His best-known composition, the.
  2. Discover releases, reviews, credits, songs, and more about Erroll Garner - "Soliloquy" - "At The Piano" at Discogs. Complete your Erroll Garner collection.
  3. A very personal album from Erroll Garner, as you might guess from the title – a set of solo piano numbers delivered with an even deeper sense of lyricism than usual! Garner's still got a bit of his trademark sense of rhythm here, but he also works with a more powerful sense of flow – as he mixes tuneful melodies with his own sublime improvisations, often in a way that's.
  4. Filename D:\tests\Erroll Garner - Soliloquy & At The Piano\08 - (There Is) No Greater matnavithowawhocotacomppumobath.coinfo Pre-gap length Peak level % Track quality % Test CRC FD8C Copy CRC FD8C Cannot be verified as accurate (confidence 2) [CB0DE], AccurateRip returned [8D79A71A] Copy OK Track 9.
  5. Erroll Louis Garner (June 15, – January 2, ) was an American jazz pianist and composer known for his swing playing and ballads. His best-known composition, the ballad "Misty", has become a jazz matnavithowawhocotacomppumobath.coinfo Yanow of Allmusic calls him "one of the most distinctive of all pianists" and a "brilliant virtuoso." He received a star on the Hollywood Walk of Fame at Hollywood Blvd.
  6. Garner grooves nicely here – finding an almost renewed energy for the 60s, but still hitting all those highly-rhythmic modes we love so much in his early work! The recording quality is great – lots of bold echo from the piano, and even a bit of Erroll 's grunting vocalizations somewhere in the mix – kind of an extra added emphasis that sounds great next to the bass of Eddie Calhoun and.
  7. This LP is only a portion of a studio session which ended up producing no fewer than 16 solo tracks. Erroll Garner is in great form on this solo date, beginning with a lively "You'd Be So Nice to Come Home To" that evokes both his bouncing basslines and his inherent lyricism. Unlike most interpretations, his arrangement of "If I Had You" leans more toward outright joy versus mere hopefulness.
  8. The music on this CD was formerly put out by Atlantic (including an obscure LP), Columbia (the final four titles), and National. The latter is the rarest track, one in which Garner and an unidentified rhythm section accompany singer Florence Wright on "The Real Gone Tune." Otherwise, the great Garner performs with bassist John Simmons and either Doc West or Shadow Wilson on a marathon song.

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